明星人设崩塌后粉丝自我认同颠覆及重塑研究.pdf

河北科技大学硕士学位论文

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Abstract

Abstract

Intheentertainmentindustry,starsallhavetheirownpublicpersonas,itcanbe

saidthatNooneset,notastar.Butinrecentyears,theeventsstarsgoingagainst

theirpublicpersonashavebeenemergingoneafteranother.Fansarethegroupmost

closelyconnectedwithstars,andtheirself-identitywillbeoverturnedalongwiththe

ruinedidolspublicpersona,bringingaseriesofadversesocialeffectsafter

experiencingthehousecrashedevents.

Drivenbyallkindsofpublicpersonassetbystars,fanshavebecomeconsumers,

producersandpoachersastheyidolizestars.Andaffectedbystarpublicpersonasin

personalemotionprojectionandbidirectionalpartnership,fansestablishself-identity

withtheiridentityandfangroupstrengthensitfromeachindividualastheyidolize

stars.As“roleconflict”arisingand“impressionmanagement”nullifying,theruined

publicpersonaseventsemergefrequently,leadingfanspossessingfourdifferent

attitudeinthefaceoftheevents,focusonwork,nopublicvoice,fanaticism

blindlyfollow,resistpublicvoice,acceptanceandreturntoonlookers,resistance

tocarnival,unfollowandblackenback.Withstarpublicpersonasruined,

self-identityoffansfalltopieces,whichtakesatollondisruptingvalues,being

transgressiveandobfuscatingself-identity.Basedonthis,thestudyoffersaproposal

ofremodelingself-identityoffansfromthreedimensions,value,behaviorand

self-identity,takingintoaccountthegovernment,socialmediaplatformsandfans

themselves,soastohelpfansbettergetoutoftheinfluenceoftheruinedpersonas

events.

KeywordsStarpublicpersona;Ruinededpublicpersona;Fansself-identity;

Roleconflict;Impressionmanagement

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河北科技大学硕士学位论文

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